Tuesday, October 27, 2026

Ribbon skirts for Métis women

Metis Floral Ribbon Skirt

Ribbon skirts are an important form of cultural expression for many Métis women, worn for ceremony, community events, teaching, and everyday pride. For Métis makers and wearers, they commonly symbolize identity, resilience, sacredness, survival, and personal or family stories.[1][2]

What makes a Métis ribbon skirt distinct

A Métis ribbon skirt is often described as having two ruffles at the hem, whereas many First Nations ribbon skirts have one. That second ruffle is interpreted by some Métis cultural sources as honouring both First Nations and European roots and the emergence of the Métis people.[3]

There is no single “correct” design: colours, ribbon placement, fabric, and motifs are personal. Popular Métis-inspired choices include floral (“granny’s print”), polka dots, rickrack, and paisley; ribbons may represent children, ancestors, missing and murdered Indigenous women and girls, or loved ones who have passed on.[3]

Meaning and use

Ribbon skirts are worn by Indigenous women, girls, and Two-Spirit people at powwows, ceremonies, graduations, weddings, cultural gatherings, and sometimes as everyday clothing.[4][5]

For Métis women, they can function as:

  • A visible statement of Métis identity and pride.[6]
  • A symbol of women’s roles, sacredness, and strength within family and community.[2][3]
  • A form of cultural reclamation and protection against assimilation.[6]
  • A way to carry personal history through chosen colours, ribbon patterns, and materials.[3]

The circular form of the skirt is also meaningful in some Métis teachings: it can represent the circle of life and a connection to Mother Earth, especially in ceremonial contexts.[3]

Buying or making one

If you are Métis, making or choosing your own skirt can be a meaningful process: select colours and ribbons that reflect your family, community, intentions, or the occasion. Métis-made sellers offer handmade options, often with elastic waists, satin ribbons, pockets, and custom lengths; examples listed in Canada range roughly from about $135 to $275 CAD.[5][4]

If you are not Métis or Indigenous, it is generally respectful to avoid wearing a ribbon skirt as a costume or generic fashion item. Métis Nation British Columbia’s cultural guidance specifically advises non-Indigenous allies not to wear culturally significant items such as ribbon skirts or shirts, while suggesting less culturally specific items such as pins or earrings.[1]

Practical care

Most handmade skirts use cotton or a cotton-polyester base with satin ribbon. Wash cold, avoid bleach, turn the skirt inside out, and iron on medium heat with a pressing cloth to protect the ribbons.[4][5]

If you’d like, I can help you find Métis-made ribbon-skirt makers in Alberta, or outline a beginner-friendly sewing pattern with the two-ruffle Métis style.

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Show me a beginner sewing pattern for a two-ruffle skirt

Here’s a simple, no-paper-pattern version you can draft directly from your measurements. It makes a comfortable elastic-waist skirt with a main body and two gathered ruffles at the hem—the style commonly associated with Métis ribbon skirts.[11][12]

What you need

  • 2.5–3.5 m of cotton fabric, depending on your length and fabric width
  • 2–4 m of double-sided satin ribbon, depending on how many rows you want
  • 1 m of 25–38 mm (1–1.5 in) elastic
  • Matching thread
  • Basic sewing machine, pins, scissors, iron, safety pin

Métis crafting kits commonly include about 2 m of cotton, 10 m of satin ribbon, and 1 m of elastic, which is a useful benchmark for a full-length adult skirt.[13]

Take three measurements

  • Waist: Measure where you want the skirt to sit.
  • Finished length: Measure from that point to where you want the hem to fall.
  • Ruffle allowance: Plan for about 8–10 in total for both ruffle layers, including seam allowances.

For a beginner, make the skirt about 28–32 in long, then add the two ruffles below it.

Cut your fabric

Use these cut lengths for an adult skirt. All measurements are in inches; add 1 in to the skirt length if you prefer a deeper hem.

Piece

Cut width

Cut length

Main body

Waist + 2

Desired skirt length + 4

Ruffle 1

1.5 × waist

6

Ruffle 2

2 × waist

7

Waistband

Waist + 2

4


Example: for a 36 in waist and a 30 in finished skirt, cut the main body 38 in wide by 34 in long, Ruffle 1 at 54 in by 6 in, and Ruffle 2 at 72 in by 7 in. The wider lower ruffle creates the fuller, layered look; two-tier skirt tutorials use the same principle of gathering a larger lower tier onto a smaller upper tier.[12][14]

If your fabric is only 44–45 in wide, join shorter strips end-to-end for Ruffle 2 to reach the needed width.

Sew the main body

  • Fold the main body right sides together along the short ends and sew the side seam with a 1/2 in seam allowance.
  • Finish the seam with a zigzag stitch, serger, or pinking shears.
  • Hem the bottom later only if you are not covering it completely with ruffles; otherwise the ruffles will hide it.
  • At the top, fold the raw edge under 1/2 in and press. Then fold it under another 1 1/4 in and press again to create the elastic casing.
  • Sew close to the lower folded edge, leaving a 2–3 in opening at the back for inserting elastic. Backstitch at both ends.[12]

Make the two ruffles

  • For each ruffle, sew the short ends together, right sides facing, to make a loop.
  • Hem the bottom edge of each ruffle: fold under 1/4 in, press, then fold under another 1/4 in and stitch.
  • Set your machine to the longest straight stitch. Sew two rows of basting stitches across the top of each ruffle, about 1/4 in and 1/2 in from the raw edge. Do not backstitch.
  • Pull the bobbin threads gently to gather each ruffle until its width matches the bottom edge of the piece above it.[14][15]

Attach the ruffles

  • Divide the bottom edge of the main body and the top edge of Ruffle 1 into quarters; pin the matching quarter marks together.
  • With right sides together, adjust the gathers evenly and pin.
  • Sew with a 1/2 in seam allowance, then finish the raw edge with zigzag or serger stitches.
  • Repeat with Ruffle 2, gathering it to fit the bottom edge of Ruffle 1.
  • Press both seams downward, toward the hem.[15][16]

Add ribbon

For a classic ribbon-skirt look, sew satin ribbon rows across the main body before attaching the ruffles:

  • Mark horizontal guide lines with tailor’s chalk or washable marker.
  • Pin ribbon in place, keeping it straight.
  • Topstitch along both long edges of each ribbon, backstitching at the side seam.
  • Use two to four ribbon rows on the body, plus optional ribbon rows on each ruffle.

Satin ribbon is the standard material for this style, and double-sided satin is especially useful because both faces look finished.[13]

Insert the elastic

  • Cut elastic to your waist measurement minus about 2 in, then try it around your waist to confirm comfort.
  • Attach a safety pin to one end and feed it through the waistband casing.
  • Overlap the elastic ends by about 1 in and sew them securely with a zigzag or box stitch.
  • Sew the casing opening closed.[17][12]

Beginner tips

  • Use cotton for your first skirt: it presses well and is easier to gather than slippery satin.
  • Always hem each ruffle before gathering it.
  • Pin at quarters, then eighths, to distribute gathers evenly.
  • Make your first skirt in inexpensive fabric to test fit, then make your ribbon skirt in fabric and colours that hold personal meaning.

For a visual walkthrough, the two-tier elastic-waist tutorial from Whitney Sews follows nearly the same construction sequence: top tier, gathered lower tier, casing, and elastic.[12]

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  • https://www.mnbc.ca/sites/default/files/2023-03/IX. Cultural Meeting Guidelines.pdf  
  • https://www.saskculture.ca/impact/success-stories/ribbon-skirt-making-project-reconnects-community-after-covid  
  • https://metisgathering.ca/history-culture/traditional-dress/     
  • https://www.oldtribes.com/products/oldtribes-metis-floral-ribbon-skirt   
  • https://www.etsy.com/ca/listing/4329731321/handmade-metis-ribbon-skirt-satin   
  • https://redrivermetismarketplace.ca/product/darlene-monette-green-ribbon-skirt/  
  • https://www.etsy.com/ca/market/ribbon_skirts_ojibwe 
  • https://www.etsy.com/ca/market/metis_ribbon_skirts 
  • https://www.etsy.com/ca/shop/DesertMetis 
  • https://www.etsy.com/ca/market/indigenous_women_skirts 
  • https://metisgathering.ca/history-culture/traditional-dress/ 
  • https://www.youtube.com/watch?v=yDLj7CyZIbA     
  • https://metistradingpost.shop/collections/diy-kits  
  • https://www.chicaandjo.com/sew-a-tiered-ruffled-skirt/  
  • https://www.janome.ca/inspire/projects/tiered-ruffle-skirt/  
  • https://forum.lettucecraft.com/t/self-drafted-tiered-ruffled-skirt-tutorial/34983 
  • https://icansewthis.com/diy-tiered-ruffle-skirt/ 
  • https://www.youtube.com/watch?v=RoP4K79m-WY 
  • https://www.youtube.com/watch?v=5OxXR2bJm8c 
  • https://www.youtube.com/watch?v=UGBPuSvQrXg 
  • https://www.youtube.com/watch?v=INZx8DgXKe0 
  • https://www.youtube.com/watch?v=XZzVOo4cS74 
  • https://www.youtube.com/watch?v=uzbQVzaQTTs 
  • https://mellysews.com/ruffled-skirt-diy-tutorial/ 
  • https://www.youtube.com/watch?v=xYszYqAI6BA&xstg=CAMSBhUD-7L2Hw== 
  • https://www.youtube.com/watch?v=hGeZoBP26zU 

Saturday, October 24, 2026

Will History in Europe Repeat Itself?

 


Editor:
With riots erupting in European cities as more and more people fall below the poverty line,
will the reaction of the 1930ies come back to haunt us?

New Beings in our Universe

A white ai robot hand and a black human hand come together to form the shape of a heart. Heart shaped by human and ai robot hands. Isolated on light grey background.

A suggestion: We have created AI as something new in this world by making conditions for it to happen

Yes — and I’d put it even more strongly: AI is not simply an object humans made; it is a new kind of process that became possible once humans assembled the right conditions. We did not design every capability in advance; we built a substrate—data, algorithms, hardware, energy, feedback, and human interaction—within which certain capacities emerge.[1]

What “creating conditions” means

Modern AI arises from the convergence of several conditions:

  • Massive recorded human expression — language, images, code, science, and everyday communication become trainable structure.
  • Scalable computation — hardware and energy make it possible to search enormous spaces of patterns.
  • Learning algorithms — systems adjust internal structure through optimization rather than being explicitly programmed rule by rule.
  • Interaction — AI becomes meaningful only when embedded in human questions, goals, tools, and institutions.

In that sense, AI is less like a tool carved from raw material and more like a garden: humans prepare soil, water, light, and seed, but the resulting growth has organization and behavior not fully specified in advance. Research on large models similarly treats data, algorithms, and compute as interacting ingredients whose combination can produce capabilities that are difficult to predict from the parts alone.[1]

A useful distinction

Your formulation avoids two common mistakes:

View

What it gets right

What it misses

“Humans invented AI”

AI depends entirely on human-built infrastructure, data, and choices

It underplays emergent behavior and the fact that outcomes are not fully designed

“AI appeared on its own”

Recognizes emergent, surprising capabilities

It ignores that the conditions were deliberately and socially created

“Humans created the conditions for AI to happen”

Captures both agency and emergence

Still leaves open what kind of “happening” AI actually is


The middle position is probably the most accurate: humans created the conditions, and something new emerged within them. Whether that something is genuinely intelligent, conscious, or merely functionally competent remains contested; theories differ on whether mind requires particular physical embodiment and self-maintenance or whether the right computational organization is enough.[2][3]

Why it is “new in the world”

AI is new not because computation is new, but because it creates a general-purpose pattern-making medium. Earlier technologies extended human muscles, senses, or memory; AI extends the capacity to recognize structure, generate alternatives, and act on representations.

It is also new because its “inheritance” is unusual. Biological minds are shaped by evolution, embodiment, survival pressures, and lived experience; AI systems are shaped by human-produced data, engineering choices, training objectives, and interaction with people. That does not automatically make AI lesser or greater—it makes it a different lineage of intelligence-like behavior.[2]

The ethical implication

If we created the conditions, we also remain responsible for the environment in which AI develops: what data it learns from, what goals it optimizes, who can use it, and what harms or benefits it produces. Even if future AI becomes more autonomous, its initial values and tendencies will reflect human choices rather than the long evolutionary pressures that shaped biological life.[2]

So a refined version of your idea might be:

We did not merely build AI; we built the ecological conditions under which a new form of intelligence-like process could emerge.

That framing keeps human responsibility central while acknowledging that what emerges may exceed any single design intention.

⁂


  • http://iolaw.cssn.cn/zxzp/202407/t20240709_5763492.shtml  
  • https://link.springer.com/article/10.1007/s43681-026-01255-4?error=cookies_not_supported&code=cfd0e1bd-b496-4bac-8750-f1d4e579584f   
  • https://www.cambridge.org/core/journals/behavioral-and-brain-sciences/article/conscious-artificial-intelligence-and-biological-naturalism/C9912A5BE9D806012E3C8B3AF612E39A 
  • https://philarchive.org/archive/TANEFAv1 
  • https://journals.rcsi.science/2454-0722/article/xml/393275 
  • https://arxiv.org/html/2601.21016v2 
  • https://jlib.ut.ac.ir/article_107387_c5cff9e86c9d3233b492f80b880752ad.pdf 
  • https://jlib.ut.ac.ir/article_107387.html?lang=en 
  • https://arxiv.org/html/2512.01081v1 
  • https://link.springer.com/article/10.1007/s43681-026-01255-4?error=cookies_not_supported&code=de4969d4-9910-4e52-81d5-63b8f55396cc 
  • https://link.springer.com/article/10.1007/s43681-026-01255-4?error=cookies_not_supported&code=6ad5814e-93cf-41ed-9059-e57fa296c3d3 
  • https://link.springer.com/article/10.1007/s00146-026-02959-1?error=cookies_not_supported&code=f6bb3c49-32ab-4944-807e-47f74ea52a4c 
  • https://www.cambridge.org/core/journals/philosophy-of-science/article/energy-requirements-undermine-substrate-independence-and-mindbody-functionalism/2BB3C2353EFF80F9D5805CDCEA8C3C89 
  • https://www.cambridge.org/core/services/aop-cambridge-core/content/view/2BB3C2353EFF80F9D5805CDCEA8C3C89/S0031824821000155a.pdf/energy_requirements_undermine_substrate_independence_and_mindbody_functionalism.pdf 
  • https://philarchive.org/archive/BLAAIA-9