by
Thierry Meyssan
In political terms, the affair can be analyzed from two angles: from the tactical perspective as an anti-U.S. manipulation; or from a strategic one, as an anti-Muslim psychological attack.
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The circulation on the Internet of the trailer for a film, The Innocence of Muslims,
sparked demonstrations across the world and resulted in the killing in
Benghazi of the U.S. Ambassador to Libya and members of his entourage.
At first glance, these events can be located in the long line leading from Salman Rushdie’s Satanic Verses to the burnings of the Koran
by Pastor Terry Jones. Nevertheless, this new attack differs from other
incidents in that the film was not directed at a Western audience but
instead was uniquely conceived as an instrument of provocation directed
at Muslims.In political terms, the affair can be analyzed from two angles: from the tactical perspective as an anti-U.S. manipulation; or from a strategic one, as an anti-Muslim psychological attack.
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